Saturday, September 24, 2016

King Crimson- Falkoner Salen, Copenhagen Sept 23rd, 2016


King Crimson- Falkoner Salen, Copenhagen Sept 23rd, 2016

The only time I have seen KC was back on the Deconstruction of Light tour. I thought it was a very cool show. This time Fripp is back with three drummers (the one on the right (Gavin) was doing little or nothing 20% of the time and could probably have been gone, although he did a brilliant drum solo in 21st Century Schizoid Man!), Tony Levin on bass, a guy who played Sax and flutes and the main guitar player and vocalist, Jackko. A pretty intense set of musicians. Mel Collins, Gavin Harrison (Porcupine Tree), Jakko Jakszyk, Jeremy Stacey and Pat Mastelotto.

They made it very clear both with big signs on the stage and with announcements in Danish and English that they would not put up with photography of any sort and if you were caught you would be thrown out. Only after the show was over could you take pictures of the band. NO audio or video recording was allowed either. Very strict and they had people looking out all the time.

They opened with some orchestral stuff (Monk Morph Chamber Music) and a triple drum solo and then into Hell Hounds of Krim (was this the guitar solo?) and maybe Lars Tongues and Aspic pt 1.  They played a lot of cool old stuff in the first 72min set including a great version of In the Court of the Crimson King and Sailors Tale!  Fripp allowed the band to do most of the playing and finding his own space in the sound but some sections of nearly every song he would sit and observe. He had a sort of keyboard that he could do mellotron stuff on as well but one of the drummers, Jeremy Stacey played a lot of keyboards as well. More than Fripp.  Fripp only played a few longer guitar solo parts in the entire show, mostly doing riffs and stuff that filled in the spaces.  Jakko was an excellent vocalist. I was really impressed. 

The 2nd set was also around 70mins and they played Starless, Easy Money, Red, and 21st Century Schizoid Man (only encore) as well as something from Vroom, I think. A few tracks from the 80s were played as well. Tony Levin and Pat were just amazing this drum and bass duo. Wow.. I think you could easily ditch one or two fo the drummers as Bill Bruford if you watch the early 70s videos was a monster drummer and now they need three to replace him! Ha….. It was a fun show. Glad that I went.  Much better thatn the last time more a focus on classic era KC stuff..

Set list (from the internet)

Set 1: Walk On: Monk Morph Chamber Music), Hell Hounds of Krim, Larks' Tongues in Aspic, Part One (with snippet of Danish national anthem), Pictures of a City, The Court of the Crimson King, Fracture, Cirkus, Interlude, The Letters, Sailor's Tale, The Talking Drum, Larks' Tongues in Aspic, Part Two

Set 2
Devil Dogs of Tessellation Row, (Unknown), Lizard (Dawn Song), Level Five, Epitaph, Meltdown, Easy Money, Red, Starless  Encore: Banshee Legs Bell Hassle, 21st Century Schizoid Man


Wednesday, September 21, 2016

Reverence Festival, Valada, Portugal Sept 2016

Sept 8th

Sun Mammoth
We arrived at the festival around 17:30, got our wristbands (I got the ones for the band as well), checked into the Quibis, and we were ready for something to eat and a cold beer. I could park the car right next to the stage we were going to play on and sort of in the shade so this was great..  On the Rio stage, the only stage where bands were playing today, they were running a bit behind so we managed to see the last 3 songs of Sun Mammuth, an PT instrumental stoner band. They were not bad.. Very colour haze inspired at times, not many guitar solos.  

Sunflowers
Flavor Crystals, also played at Psycho Las Vegas but we did not see them. We caught some of their set. A US band playing dreamy post rock psych stuff. We did not see much of their set but you could still hear them where we got some food. The Sunflowers were a wild PT garage punk duo with a hell of an energy. This was wild and really fun stuff. We started to run into some people we knew like Artsi, Heke, Sabine, Lone and others so did not pay a lot of attention to them.

Blaak Heat was the highlight of this evening for sure. Wow.. What a great US band. They were a 4 piece and mostly instrumental but also some singing but a great combination of progish stoner 70s rock with some cool ethnic touches.  I was pretty blown away.. Great band.

Blaak Heat
J.C. Satan, from France were a wild and crazy band as well. They started off pretty uninteresting punky garage but then suddenly the concert turned into a totally psychedelic freakout event and they really were awesome..  Super fun concert.

JC Satan
 Riding Pãnico, another PT band was 6 piece instrumental band playing some really cool music. Although they had 3 guitar players, they played solos sparingly at the start but then really let it go later in the show with some great solos and interaction between the musicians. Impressive playing. Cool band.
Riding Pãnico
We were too tired from the 3hr drive, the experience with the car the night before, etc. so we totally missed Thee Oh Sees but I heard really good things about them with their two drummer approach to garage psych.

Sept 9th

Pigs x7
We were up pretty late like 11. Lucky last night it was not super loud until 6am like the next couple of nights. I was due to play at a special event called Papir and Dr Space which was replacing The Papermoon Sessions, since Sula and Lulu did not make it to the festival due to specific requirements that the they wanted and the festival could not provide. Pity… Anyway, there was some huge arguments and angry about his event from Mogens (from ØSC), who basically lost out on playing a gig. I had hoped we could just do a sort of different ØSC gig but there was a lot of miscommunication between, me, Papir and the organizers so in the end it was just me jamming with the Papir guys.  Before we played though there was Pigs x 7 who played a very heavy bass driven (sounded like 3 bass players, even though two were guitars!) stoner doom stuff. Very animated front singer, who was getting fried in the direct sun but not a lot of dynamics in the music.. just heavy and stoned doom…. We did not see any of the Black Wizards.

Paper meets Dr Space (foto by Sabine)
Yawning Man w/dr Space (foto by Sabine)
It was a great audience for the Papir and Dr Space  and we played 3 or 4 songs of Papir but with more stretched out versions. I was finding my feet during the first track but soon I felt comfortable in finding my space/place in the band songs. The audience was totally into it and tripping out. The band was really on fire. Wow… I managed to record this one. We also missed LSD and the Search for God, that I really wanted to see. Did not see the Silver Apples but I met him briefly. Yawning Man was next up and I had never seen or met these guys but they are good friends with Robb (3rd Ear Experience) and we talked a lot. Gary, Mario, Bill and the female bass player were all super cool. We got on great and they talked me into playing with them on the last two songs of their set! Anyway, they were really cool and the audience really liked it a lot. They have songs they play but they jam a lot. A sort of dreamy desert psych stuff. It was great fun..
Dead Meadow
 Dead Meadow was finally a band we could check out. They had played at Roadburn a few times and lots of times in Copenhagen but I never managed to see them but finally.. Wow… This was a great 3 piece and the first band to have some really cool visual projections.  Fantastic…

The Ravonettes
The Ravonettes, a Danish band that has travelled the world playing dreamy post rock, pop psych stuff… A lot of people for their concert. We saw a few songs but it was not my style of music but people were really enjoying it.  The Brian Jones Town Massacre was next and I had talked a bit with the guys at lunch as we were sitting at tables next to each other. Very cool guys.  I had never heard their music before. They were a big band, 8 members with keys, three guitars, tambourine, bass, drums.. They played this sort of very stoned smooth grooving music. Several of the guys sung lead and backing vocals. It was pretty cool but a bit too much the same after a while. I was waiting and waiting for them to do some great jamming and guitar solos but they didn’t unless that was at the very end, which we did not see.

Brian Jonestown Massacre
That was it for us. We did not see A place to Bury Strangers or the Ozric Tentacles. I really wanted to see OT as it has been some years and they are one of my fave bands but they were not playing until 3:30-6am… I was later told they did not even start until 4am and that they had bad sound. Way too much bass. We could feel it in our wooden hut 1km away as it was making the door bang against the wood!!!  It kept Sue and our neighbor Paulo awake! All we could hear was the bass though…

Sept 10th

Øresund Space Collective (foot by Sabine)
Today, my band Øresund Space Collective are due to be the first band on the main stage at 16. We had to be there around 14 to meet the crew, choose backline gear, and do a soundcheck. Everything went perfect and the staff and crew are just amazing and so professional. Every one of our needs was taken care of. Just awesome…  Due to playing, selling merch, meeting the fans, I did not see a lot of bands this day.  Anyway, ØSC played to a smaller crowd than Paper meets Dr Space yesterday but it was still a lot of people (400??) and they really enjoyed it. I think we only had 3 jams in our 50min time slot but it was good. It was damn hot as we were in the direct sun while playing and it was about 30C outside! Phew… I met a lot of nice people and we sold 300€ worth of shirts and CDs. I sold the CDs for 1 for 10€, 2 for 15€, 3 for 20€ and our old t-shirt design for 5€ and the new colour ones for 10€…. Better to have people where them than to have them in a box. We still make some money at these prices..
Papir
Papir killed it.. What a great band and they had a bigger crowd. The people that saw Ozrics were now starting to come back to life and go to the gigs. Steak, who I met later and had dinner with, we totally missed as they were just after ØSC. Cool people. We hardly saw any of the bands on the Rio stage today (missed The Veldt, Radar Man from the Moon, and Earth Drive). They moved some bands around as Killing Joke had cancelled. We also missed the Cult of Dom Keller. Nik Turner’s new Space Ritual had been moved to the Rio Stage and Mécanosphere to the big stage. Quartet of Whoa moved from the small stage to the Rio stage.
Quartet of Whoa

We caught a bit of the Quartet of Whoa and I loved these guys. Organ driven, stoner rock meets 70s rock style stuff with great grooves and cool vocals (especially the organ player) and riffs.  


Nik Turner's new Space Ritual
Nik Turner was next and we had met him back stage. It was nice to see the bass player and guitar player that I had played with in Feb. Nik was in a great mood as where the other guys. They had a sound effects guy named Nigel, who is good mates with Vince, who I made some recordings with last year. Very nice guys. Anyway, we missed Nik last night, where he played songs from his Space Gypsy, Space Ritual and other albums, while tonight it was all Hawkwind songs except Watching the Grass Grow. They opened with Born to Go, Watching the Grass Grow, Children of the Sun (I had never heard him play that one), Steppenwolf, Master of the Universe, and Brainstorm. There was one more as well. Fun show. Nik is showing his age now though as the vocals are a bit weak at times and he has trouble with his R’s..  Audience loved it and Nik and the band give a solid performance, with driving bass and drums, spacey sounds and a more heavy metal guitar, not a spacey one. Fun. Méchanosphere was a strange electronic set up with stand up bass, two samplers, drums, saxophone… a 2nd drum kit as well. Dark electronic music.
Mechanosphere
The Damned had a huge crowd and what crazy outfits these guys have. The audience was really loving it but it was a bit too mainstream pop punk stuff, neither Sue or I could get into it. Some great guitar solos though! Jiri and Nick from ØSC really had a good time at this show.
 We saw a bit of Sisters of Mercy but this for sure was not for me. Singer, guitar and bass playing along to sampled drums and music. 80s goth pop sing-alongs. Ugh….. People were having fun and they had some very cool lighting with all the fog and intense colours. That was cool…

Sisters of Mercy
With the Dead was a huge surprise and this the 3rd time I have seen them this year. It was a massive sound. They were pretty fucking awesome. Wow.. I think they get better and better. Much better than the record actually. I don’t think they performed any new songs but we did not catch the end.   Later this night until 6am was Radar man from the Moon, Mars Red Sky and then a Summer of Hate and guests jam session which was some PT guys and the Mars Red Sky guys. I heard it was pretty cool..


There was also a third stage but we sadly did not see too many bands over there but I would like to mention Twin Transistors, which was pretty cool stuff like Loop, Wooden Ships and we really liked what we heard of these guys.

We also so some of Ossos D'Ouvido an instrumental band, a bit jazzy and doom. Intense drumming. I wish the guitar player would have taken more solos though.  A promising young band for sure.

Just a great festival. We could tell it was a bit on the cheap this year, with one less big stage, not the cool entrance or flyovers, no art instillations, not very nice or many bathrooms… but this festival has really been struggling and does not get the support it needs from the audience. A few things that could improve would be some sort of schedule by the entrance or the stages as since some bands cancelled and the schedule was altered and unless you had internet access you had no idea what had changed compared to the printed program. Also, information about the shuttles was really bad and people at the ticket box did not even have a clue... I also saw that access for handicap people was very difficult as the entrance was this deep sand and people on crutches and wheelchairs really had a hard time. This needs to be improved.

In the end if this festival is to continue, more people need to pay to come. This could be the last year. We do not know. Nick, Pedro and Alex did an amazing job with the lineup, the great hospitality, etc… There were some better food and drink places this year as well but beer was much more expensive. They made you buy a plastic cup, which I think is a good idea as there is not all this trash all around but beers used to be 2€ and now were 3.5€. Anyway, fantastic festival. Highly recommended..


Tuesday, September 6, 2016

Blood on Wheels- II It’s all a Lie (Crispin Glover Records ROCK3CGR059)

Blood on the Wheels from Trondheim is back with another rocking album with a lot of attitude! There is a limited edition of 100 with a cool silk screen sleeve and red vinyl. The album also comes with a CD. The LP opens with Lie to You (See video below), a straight up rock and roll number! I’m your Man injects a bit more attitude and the riff reminded me of Sweet but then it changes and is a bit more like Pearl Jam! Eager to Please is another rocker with a hard rock riff and some piano (no one is credited though). Straight up rock and roll and yes some lead guitar! Me & You is a slower track but not a ballad as it still has a hard punching riff but still a sort of single. Fire and barbed wire is a really catchy song. Flip the record over and you start off with Lost Soul City (Trondheim??) is a bit different but I really like this melodic but still hard driving track. The vocals are a bit more laid back but it still rocks out with some nice guitar playing as well. Anyone Else has this Soundgarden feel to it. Morning Song has some really funny lyrics and very rock and roll! Golden Ticket keeps the rock and roll spirit alive. Hell for your Money closes out this album and is one of the most hard rocking almost punky tracks on the record. Overall, a very solid rock and roll album. Crank it up!!




Baby Woodrose- Freedom (Bad Afro Records AFROLP050)

Baby Woodrose is back with their 7th studio album and the first one in 4 years. Lorenzo has been busy with Spids Nøgenhat but now that has been put on hiatus, he could focus on BW again.  I have been friends with and known the band since the very beginning and I am really glad to be blown away by this new album.  I think this is the kind of more stoner heavy rock record that Ralph had always hoped they would make and the lyrics are awesome. Reality starts things off with a really heavy stoner psych rocker with some great guitar solos at the end. 21st Century Slave is a more relaxed hypnotic track with acoustic guitars and potent lyrics. See the great video below with Lorenzo cruising the Copenhagen Metro. Open Doors is very 60s inspired with this farfisa driven track, that sounds a lot like older tracks by the band, especially the way the vocal rhythm, backing vocals are delivered. Still a great retro track.  Mind Control Machine has a heavier sound and some cool double tracked eastern inspired psych guitar. Peace is a wonderful acoustic track and Lorenzo’s vocals are fantastic. Freedom, a song made most famous by Richie Havens, is totally reworked here but a fucking great version. It was super cool when I saw them play it live! Red the Signpost is a short hard rocking and psychedelic track with some cool spaced out sounds and great guitars. Mantra reminds me of On Trial, Lorenzo’s old band. Termination is the highlight of the record, with a monster nearly 10min jam track. Wow…  This is the 3rd time I have heard the record and it will be one of my faves this year. Great work guys….. Lorenzo, Anders, Hans, Mads, and Kåre!

Space Invaders- Ayakashi (Nasoni Records 179CD)

Space Invaders are back with their 4th or 5th album and what a cool record this one is! The band is still a five piece with two guitars, synth, bass and drums. This record features 5 tracks in 50mins (jams) starting off with Timeframes which has a great groove and some nice guitar work and splashes of noises, synths, phased guitar as it slowly takes shape. It somehow peaks around 7 mins and the synths become a bit more dominant as it glides down to a spaced out ending. Darkstar (not the Grateful Dead song) continues out of the end of the previous track and is very spacey. Mike uses the talk box and this sounds really cool.  At mins they try out a heavier guitar riff but this soon turns bluesy and there is some great guitar playing! A trippy song. The whole side was recorded live at WMF in 2015. Keeper of the Spice is next and starts slow and spacey with a cool build up that very slowly creeps up on you the drummer and bass player slowly raise the pace in a very steady, even stoned flow. The dreamy guitars intertwine, weave, dip, fly and glide.  At 20mins the drums stop and the guitars finish the piece and you hear the audience. Track 4 on the CD is just 2mins of silence (Strange?) and then Ayakashi starts. This is a slow bluesy track to start and stay pretty relaxed. A sort of strange way to end the album after the mind blowing track before. These were both recorded live in Soest.  If you like stuff like Oresund Space Collective, 3rd Ear Experience, old Zone Six, you will also dig these guys.